The Ice Balloon
The story of the only person to attempt to reach the North Pole by balloon, and the golden age of Polar Exploration.
In August 1930 a Norwegian sloop sailing in the Arctic Ocean moored at a remote island. Here, the crew members found a body leaning against a rock. When they saw a large monogram ‘A’ on the body’s jacket, they realized who the unfortunate adventurer had been: S. A. Andrée, the Swede who, in 1897, set off to discover the North Pole, one of the last unmapped places on earth.
The Ice Balloon is the story of the heroic era of polar exploration, and the dream of conquering one of the most inhumane landscapes on earth. In this golden age of discovery, Andrée’s ambition was the most original and remarkable. For, of the thousand or so people who had gone looking for the Pole, most of whom perished on the way, only Andrée used a balloon.
”'Wilkinson’s writing is so flawless and engaging that I’d read him on a packed subway at rush hour.” - Sebastian Junger
”'The Ice Balloon tells a remarkable story, while also allowing those of other explorers and their ill-fated expeditions to float gracefully through its pages” - Carl Wilkinson, Financial Times
”'It does take a writer of Wilkinson’s diligence of research, elegance of style and perfect pitch as a storyteller to give a doomed, forgotten hero a fine memorial to his heroic adventure in the golden, amateur age of polar exploration” - Iain Finlayson, The Times
”'Wilkinson writes with insight and flair, artfully interleaving Andrée’s story with a brief history of Arctic exploration … his prose style suits the spare polar landscape, making his occasional poetic touches even more effective … He understands that the value of polar stories lies in our endless love of discovery and the drama of being human.” - Sara Wheeler, New York Times
”'An elegant history of Arctic exploration” - TLS
”'Some engaging material here” - Sunday Telegraph, Melanie McGrath
”'If Wilkinson does not add much that is new to the story, he re-tells it with panache and compassion” - Joanna Kavenna, Spectator