‘Poetry was my place, my little clearing in the forest, where I could quietly put everything I was holding. I’m not sure what gave me the courage to open up that space to you, but here I am, doing it.’
‘Poetry was my place, my little clearing in the forest, where I could quietly put everything I was holding. I’m not sure what gave me the courage to open up that space to you, but here I am, doing it.’
Alex Ross, renowned author of the international bestseller The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics—an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence.
‘A page turner…and then some!’ Chris Evans
‘An absorbing memoir.’ Classic Rock Magazine
‘A very enjoyable rock-n-roll memoir that is not just for fans, but for anyone interested in this classic era of the British rock scene’ The Afterword
Alex Ross, renowned author of the international bestseller The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics—an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence.
Alex Ross, renowned author of the international bestseller The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics—an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence.
Alex Ross, renowned author of the international bestseller The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics—an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence.
“Not only is it the best song I ever wrote, it’s the best song anybody ever wrote.” Irving Berlin, 1942
A biography of the single most important record in the history of popular music
‘One of the very best collections of pop songs written in the style of William Shakespeare that I’ve read so far this year!’ ‘Weird Al’ Yankovic
‘Ever wonder what Taylor Swift and Beyoncé would sound like in iambic pentameter? We hadn’t either, but now we can’t get enough’ TIME
‘Amazing’ Buzzfeed
This is a chapter from Alex Ross’s groundbreaking history of twentieth-century classical music, ‘The Rest is Noise’. Further extracts are available as digital shorts, accompanying the London Southbank festival programme.
This is a chapter from Alex Ross’s groundbreaking history of twentieth-century classical music, ‘The Rest is Noise’. Further extracts are available as digital shorts, accompanying the London Southbank festival programme.
This is a chapter from Alex Ross’s groundbreaking history of twentieth-century classical music, ‘The Rest is Noise’. Further extracts are available as digital shorts, accompanying the London Southbank festival programme.
This is a chapter taken from Alex Ross’s groundbreaking history of twentieth-century classical music, The Rest is Noise.
This is a chapter from Alex Ross’s groundbreaking history of twentieth-century classical music, ‘The Rest is Noise’. Further extracts are available as digital shorts, accompanying the London Southbank festival programme.
This is a chapter from Alex Ross’s groundbreaking history of twentieth-century classical music, ‘The Rest is Noise’. Further extracts are available as digital shorts, accompanying the London Southbank festival programme.
Includes a new chapter on John Cage.
Alex Ross’s award-winning international best-seller, ‘The Rest is Noise: Listening to the Twentieth Century’, has become a contemporary classic, establishing him as one of our most popular and acclaimed cultural historians; this is his much anticipated next book on the subject of music.
