The long-awaited memoir by Cameron Crowe—one of America’s most iconic journalists and filmmakers—revealing his formative years in rock and roll and bringing to life stories that shaped a generation, in the bestselling tradition of Patti Smith’s Just Kids.
The long-awaited memoir by Cameron Crowe—one of America’s most iconic journalists and filmmakers—revealing his formative years in rock and roll and bringing to life stories that shaped a generation, in the bestselling tradition of Patti Smith’s Just Kids. If you’ve seen Almost Famous, you may think you know this story, but you don’t.
The long-awaited memoir by Cameron Crowe—one of America’s most iconic journalists and filmmakers—revealing his formative years in rock and roll and bringing to life stories that shaped a generation, in the bestselling tradition of Patti Smith’s Just Kids. If you’ve seen Almost Famous, you may think you know this story, but you don’t.
The long-awaited memoir by Cameron Crowe—one of America’s most iconic journalists and filmmakers—revealing his formative years in rock and roll and bringing to life stories that shaped a generation, in the bestselling tradition of Patti Smith’s Just Kids. If you’ve seen Almost Famous, you may think you know this story, but you don’t.
The long-awaited memoir by Cameron Crowe—one of America’s most iconic journalists and filmmakers—revealing his formative years in rock and roll and bringing to life stories that shaped a generation, in the bestselling tradition of Patti Smith’s Just Kids. If you’ve seen Almost Famous, you may think you know this story, but you don’t.
‘Poetry was my place, my little clearing in the forest, where I could quietly put everything I was holding. I’m not sure what gave me the courage to open up that space to you, but here I am, doing it.’
‘Poetry was my place, my little clearing in the forest, where I could quietly put everything I was holding. I’m not sure what gave me the courage to open up that space to you, but here I am, doing it.’
‘Poetry was my place, my little clearing in the forest, where I could quietly put everything I was holding. I’m not sure what gave me the courage to open up that space to you, but here I am, doing it.’
‘Poetry was my place, my little clearing in the forest, where I could quietly put everything I was holding. I’m not sure what gave me the courage to open up that space to you, but here I am, doing it.’
‘A page turner…and then some!’ Chris Evans
‘An absorbing memoir.’ Classic Rock Magazine
‘A very enjoyable rock-n-roll memoir that is not just for fans, but for anyone interested in this classic era of the British rock scene’ The Afterword
SHORTLISTED for the Baillie Gifford Prize’s 25th Anniversary Winner of Winners award
WINNER OF THE BAILLIE GIFFORD PRIZE 2020
A Spectator Book of the Year • A Times Book of the Year • A Telegraph Book of the Year • A Sunday Times Book of the Year
‘A page turner…and then some!’ Chris Evans
‘An absorbing memoir.’ Classic Rock Magazine
‘A very enjoyable rock-n-roll memoir that is not just for fans, but for anyone interested in this classic era of the British rock scene’ The Afterword
‘A page turner…and then some!’ Chris Evans
‘An absorbing memoir.’ Classic Rock Magazine
‘A very enjoyable rock-n-roll memoir that is not just for fans, but for anyone interested in this classic era of the British rock scene’ The Afterword
‘A page turner…and then some!’ Chris Evans
‘An absorbing memoir.’ Classic Rock Magazine
‘A very enjoyable rock-n-roll memoir that is not just for fans, but for anyone interested in this classic era of the British rock scene’ The Afterword
“Not only is it the best song I ever wrote, it’s the best song anybody ever wrote.” Irving Berlin, 1942
A biography of the single most important record in the history of popular music
‘One of the very best collections of pop songs written in the style of William Shakespeare that I’ve read so far this year!’ ‘Weird Al’ Yankovic
‘Ever wonder what Taylor Swift and Beyoncé would sound like in iambic pentameter? We hadn’t either, but now we can’t get enough’ TIME
‘Amazing’ Buzzfeed
