‘An embrace of a book’ Florence Welch
‘Poetry was my place, my little clearing in the forest, where I could quietly put everything I was holding. I’m not sure what gave me the courage to open up that space to you, but here I am, doing it.’
‘Poetry was my place, my little clearing in the forest, where I could quietly put everything I was holding. I’m not sure what gave me the courage to open up that space to you, but here I am, doing it.’
‘Poetry was my place, my little clearing in the forest, where I could quietly put everything I was holding. I’m not sure what gave me the courage to open up that space to you, but here I am, doing it.’
‘Poetry was my place, my little clearing in the forest, where I could quietly put everything I was holding. I’m not sure what gave me the courage to open up that space to you, but here I am, doing it.’
‘Poetry was my place, my little clearing in the forest, where I could quietly put everything I was holding. I’m not sure what gave me the courage to open up that space to you, but here I am, doing it.’
Alex Ross, renowned author of the international bestseller The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics—an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence.
‘A page turner…and then some!’ Chris Evans
‘An absorbing memoir.’ Classic Rock Magazine
‘A very enjoyable rock-n-roll memoir that is not just for fans, but for anyone interested in this classic era of the British rock scene’ The Afterword
‘A page turner…and then some!’ Chris Evans
‘An absorbing memoir.’ Classic Rock Magazine
‘A very enjoyable rock-n-roll memoir that is not just for fans, but for anyone interested in this classic era of the British rock scene’ The Afterword
Alex Ross, renowned author of the international bestseller The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics—an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence.
Alex Ross, renowned author of the international bestseller The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics—an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence.
Alex Ross, renowned author of the international bestseller The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics—an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence.
‘Du Sautoy’s discussion of computer creativity is fascinating’ Observer
CAN MACHINES BE CREATIVE?
‘A page turner…and then some!’ Chris Evans
‘An absorbing memoir.’ Classic Rock Magazine
‘A very enjoyable rock-n-roll memoir that is not just for fans, but for anyone interested in this classic era of the British rock scene’ The Afterword
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