A NEW STATESMAN BOOK OF THE YEAR
AN OBSERVER BEST ART BOOK OF 2021
SHORTLISTED FOR THE RATHBONES FOLIO PRIZE 2022
‘This is a wonderful book. A lyrical journey into the natural and unnatural world’ Patti Smith
‘Du Sautoy’s discussion of computer creativity is fascinating’ Observer
CAN MACHINES BE CREATIVE?
Penelope Fitzgerald, the Booker Prize-winning author of ‘Offshore’ and ‘The Blue Flower’, turns her attention to the remarkable life of the Pre-Raphaelite artist Edward Burne-Jones.
Penelope Fitzgerald, the Booker Prize-winning author of ‘Offshore’ and ‘The Blue Flower’, turns her attention to the remarkable life of the Pre-Raphaelite artist Edward Burne-Jones.
This is a chapter from Alex Ross’s groundbreaking history of twentieth-century classical music, ‘The Rest is Noise’. Further extracts are available as digital shorts, accompanying the London Southbank festival programme.
The true story of a brilliantly forged Emily Dickinson poem sold at Sotheby’s in 1997. The author’s detective work led him across America to a prison cell in Salt Lake City, where the world’s greatest literary forger, Mark Hofmann, is serving a life sentence for double-murder.
The true story of a brilliantly forged Emily Dickinson poem sold at Sotheby’s in 1997. The author’s detective work led him across America to a prison cell in Salt Lake City, where the world’s greatest literary forger, Mark Hofmann, is serving a life sentence for double-murder.
The true story of a brilliantly forged Emily Dickinson poem sold at Sotheby’s in 1997. The author’s detective work led him across America to a prison cell in Salt Lake City, where the world’s greatest literary forger, Mark Hofmann, is serving a life sentence for double-murder.
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