‘WHAT TO READ IN 2025’ FINANCIAL TIMES
Many artists are unaware of the mathematics that bubble beneath their craft, while some consciously use it for inspiration. Our instincts might tell us that these two subjects are incompatible forces with nothing in common, but what if we’re wrong?
‘WHAT TO READ IN 2025’ FINANCIAL TIMES
Many artists are unaware of the mathematics that bubble beneath their craft, while some consciously use it for inspiration. Our instincts might tell us that these two subjects are incompatible forces with nothing in common, but what if we’re wrong?
‘WHAT TO READ IN 2025’ FINANCIAL TIMES
Many artists are unaware of the mathematics that bubble beneath their craft, while some consciously use it for inspiration. Our instincts might tell us that these two subjects are incompatible forces with nothing in common, but what if we’re wrong?
A NEW STATESMAN BOOK OF THE YEAR
AN OBSERVER BEST ART BOOK OF 2021
SHORTLISTED FOR THE RATHBONES FOLIO PRIZE 2022
‘This is a wonderful book. A lyrical journey into the natural and unnatural world’ Patti Smith
‘Du Sautoy’s discussion of computer creativity is fascinating’ Observer
CAN MACHINES BE CREATIVE?
Penelope Fitzgerald, the Booker Prize-winning author of ‘Offshore’ and ‘The Blue Flower’, turns her attention to the remarkable life of the Pre-Raphaelite artist Edward Burne-Jones.
Penelope Fitzgerald, the Booker Prize-winning author of ‘Offshore’ and ‘The Blue Flower’, turns her attention to the remarkable life of the Pre-Raphaelite artist Edward Burne-Jones.
This is a chapter from Alex Ross’s groundbreaking history of twentieth-century classical music, ‘The Rest is Noise’. Further extracts are available as digital shorts, accompanying the London Southbank festival programme.
The true story of a brilliantly forged Emily Dickinson poem sold at Sotheby’s in 1997. The author’s detective work led him across America to a prison cell in Salt Lake City, where the world’s greatest literary forger, Mark Hofmann, is serving a life sentence for double-murder.
The true story of a brilliantly forged Emily Dickinson poem sold at Sotheby’s in 1997. The author’s detective work led him across America to a prison cell in Salt Lake City, where the world’s greatest literary forger, Mark Hofmann, is serving a life sentence for double-murder.
The true story of a brilliantly forged Emily Dickinson poem sold at Sotheby’s in 1997. The author’s detective work led him across America to a prison cell in Salt Lake City, where the world’s greatest literary forger, Mark Hofmann, is serving a life sentence for double-murder.
