The climate change is coming. To prepare for it, we need to admit that we can’t prevent it.
‘Today, the scientific evidence verges on irrefutable. If you’re younger than sixty, you have a good chance of witnessing the radical destabilization of life on earth—massive crop failures, apocalyptic fires, imploding economies, epic flooding, hundreds of millions of refugees fleeing regions made uninhabitable by extreme heat or permanent drought. If you’re under thirty, you’re all but guaranteed to witness it.
If you care about the planet, and about the people and animals who live on it, there are two ways to think about this. You can keep on hoping that catastrophe is preventable, and feel ever more frustrated or enraged by the world’s inaction. Or you can accept that disaster is coming, and begin to rethink what it means to have hope.’
This is Jonathan Franzen’s controversial New Yorker essay, published as a single volume that discusses a planet on the cusp of and what and how individuals can respond to that.
Under the watchful eye of The Company, three characters — Grayson, Morse and Chen — shapeshifters, amorphous, part human, part extensions of the landscape, make their way through forces that would consume them. A blue fox, a giant fish and language stretched to the limit.
A messianic blue fox who slips through warrens of time and space on a mysterious mission. A homeless woman haunted by a demon who finds the key to all things in a strange journal. A giant leviathan of a fish, centuries old, who hides a secret, remembering a past that may not be its own. Three ragtag rebels waging an endless war for the fate of the world against an all-powerful corporation. A raving madman who wanders the desert lost in the past, haunted by his own creation: an invisible monster whose name he has forgotten and whose purpose remains hidden.
Jeff VanderMeer’s Dead Astronauts presents a City with no name of its own where, in the shadow of the all-powerful Company, lives human and otherwise converge in terrifying and miraculous ways. At stake: the fate of the future, the fate of Earth – all the Earths.
A profound meditation on climate change and the Anthropocene and an urgent search for the fossils—industrial, chemical, geological—that humans are leaving behind
What will the world look like ten thousand or ten million years from now?
In Footprints, David Farrier explores what traces we will leave for the very deep future. From long-lived materials like plastic and nuclear waste, to the 50 million kilometres of roads spanning the planet, in modern times we have created numerous objects and landscapes with the potential to endure through deep time. Our carbon could linger in the atmosphere for 100,000 years, and the remains of our cities will still exist millions of years from now as a layer in the rock. These future fossils have the potential to tell remarkable stories about how we lived in the twenty-first century.
Through literature, art, and science, Footprints invites us to think about how we will be remembered in the myths, stories, and languages of our distant descendants. Travelling from the Baltic Sea to the Great Barrier Reef, and from an ice core laboratory in Tasmania to Shanghai, one of the world’s biggest cities, David Farrier tells a story of a world that is changing rapidly, and with long-term consequences. Footprints will not only alter how you think about the future, it will change how you see the world today.
The Sunday Times Bestseller
From the award-winning writer of The Times Magazine‘s ‘Spinal Column’: a deeply moving, darkly funny, inspirational memoir
‘It’s beautiful – full of love and light – and an exploration into not only how, but why we survive, despite everything’ Christie Watson, author of The Language of Kindness
On Good Friday, 2010 Melanie Reid fell from her horse, breaking her neck and fracturing her lower back. She was 52.
Paralysed from the top of her chest down, she was to spend almost a full year in hospital, determinedly working towards gaining as much movement in her limbs as possible, and learning to navigate her way through a world that had previously been invisible to her.
As a journalist Melanie had always turned to words and now, on a spinal ward peopled by an extraordinary array of individuals who were similarly at sea, she decided that writing would be her life-line. The World I Fell Out Of is an account of that year, and of those that followed. It is the untold ‘back story’ behind Melanie’s award-winning ‘Spinal Column’ in The Times Magazine and a testament to ‘the art of getting on with it’.
Unflinchingly honest and beautifully observed, this is a wise and inspiring memoir about risk and dilemma, heroism and love . Above all, The World I Fell Out Of is a reminder that at any moment the life we know can be turned upside down – and a plea to start appreciating what we have while we have it.
‘Wiles is basically Kafka, if Kafka had spent more time in British hotels and pubs’ David Baddiel
Will Wiles both re-invents and murders the London novel, in a spectacular act of evil, surgical intensity’ Warren Ellis
‘It’s outstanding’ Mail on Sunday, Event Magazine
The dark, doomy humour of Care of Wooden Floors mixed with the fantastical, anarchic sense of possibility of The Way Inn, brought together in a fast moving story set in contemporary London.
Jack Bick is an interview journalist at a glossy lifestyle magazine. From his office window he can see a black column of smoke in the sky, the result of an industrial accident on the edge of the city. When Bick goes from being a high-functioning alcoholic to being a non-functioning alcoholic, his life goes into freefall, the smoke a harbinger of truth, an omen of personal apocalypse. An unpromising interview with Oliver Pierce, a reclusive cult novelist, unexpectedly yields a huge story, one that could save his job. But the novelist knows something about Bick, and the two men are drawn into a bizarre, violent partnership that is both an act of defiance against the changing city, and a surrender to its spreading darkness.
With its rich emotional palette, Plume explores the relationship between truth and memory: personal truth, journalistic truth, novelistic truth. It is a surreal and mysterious exploration of the precariousness of life in modern London.
A missing girl.
A murdered friend.
No one left to trust.
‘Seriously good suspense … trust me, you’ll need to know what happens’ Lee Child
‘Superb characterisation, humour and galloping plot’ Susie Steiner
‘This is that deeply satisfying thing, a strong, deft thriller with real depth’ Tana French
Detective Inspector Robin Lyons is going home.
Dismissed for misconduct from the Met’s Homicide Command after refusing to follow orders, unable to pay her bills (or hold down a relationship), she has no choice but to take her teenage daughter Lennie and move back in with her parents in the city she thought she’d escaped forever at 18.
In Birmingham, sharing a bunkbed with Lennie and navigating the stormy relationship with her mother, Robin works as a benefit-fraud investigator – to the delight of those wanting to see her cut down to size.
Only Corinna, her best friend of 20 years seems happy to have Robin back. But when Corinna’s family is engulfed by violence and her missing husband becomes a murder suspect, Robin can’t bear to stand idly by as the police investigate. Can she trust them to find the truth of what happened? And why does it bother her so much that the officer in charge is her ex-boyfriend – the love of her teenage life?
As Robin launches her own unofficial investigation and realises there may be a link to the disappearance of a young woman, she starts to wonder how well we can really know the people we love – and how far any of us will go to protect our own.
From the bestselling author of The Dutch House, Commonwealth and Bel Canto, Winner of The Women’s Prize for Fiction and the Pen/Faulkner Award.
When Ann Patchett and Lucy Grealy met in college they began a friendship that would define their lives. Lucy Grealy lost part of her jaw to childhood cancer, and a large part of her life to chemotherapy and endless reconstructive surgeries. Stoic but vulnerable, damaged by bullying but fascinated by fame, Lucy had an incandescent personality that illuminated those around her.
In this tender, brutal book, Ann Patchett describes Lucy’s life and her own platonic love for her. Truth & Beauty is the story of the part of their lives that they shared – the camaraderie and comedy, the tribulations and tragedy of true friendship. A portrait of unwavering commitment through success, failure, despair and drugs, this is what it means to be part of two lives that are intertwined.
Winner of the Man Booker Prize
The first book in Hilary Mantel’s award-winning Wolf Hall trilogy, with a new cover design to celebrate the publication of the much anticipated The Mirror and the Light
From one of our finest living writers, Wolf Hall is that very rare thing: a truly great English novel.
‘Every bit as good as they said it was’ Observer
‘Terrific’ Margaret Atwood
‘As soon as I opened this book I was gripped. I read it almost non-stop’ The Times
In Wolf Hall, one of our very best writers brings the opulent, brutal world of the Tudors to bloody, glittering life. It is the backdrop to the rise and rise of Thomas Cromwell: lowborn boy, charmer, bully, master of deadly intrigue, and , finally, most powerful of Henry VIII’s coutiers.
‘Dizzyingly, dazzlingly good’ Daily Mail
‘Terrifying. It is a world of marvels. But it is also a world of horrors, where screams are commonplace. A feast’ Daily Telegraph