'Basically what we have here is a dreamer. Somebody out of touch with reality. When she jumped, she probably thought she'd fly'

The Locked Room Paperback

The Locked Room

Maj Sjöwall, Per Wahlöö, and Michael Connelly

In one part of town, a woman robs a bank. In another, a corpse is found shot through the heart in a room locked from within, with no firearm in sight. Although the two incidents appear unrelated, Detective Inspector Martin Beck believes otherwise, and solving the mystery acquires the utmost importance. Haunted by a near-fatal bullet wound and trying to recover from the break-up of his unhappy marriage, Beck throws himself into the case to escape from the prison that his own life has come to resemble.

Written in the 1960s, these masterpieces are the work of Maj Sjowall and Per Wahloo – a husband and wife team from Sweden. The ten novels follow the fortunes of the detective Martin Beck, whose enigmatic, taciturn character has inspired countless other policemen in crime fiction. The novels can be read separately, but do follow a chronological order, so the reader can become familiar with the characters and develop a loyalty to the series. Each book will have a new introduction in order to help bring these books to a new audience.

Reviews of The Locked Room

  • Praise for ‘Roseanna’:

    ‘The writing is elegant and surprisingly humorous – if you haven’t come across Beck before, you’re in for a treat.’ Guardian

    ‘I have never read a finer police story.’ Los Angeles Times

    ‘The decalogue about the Swedish Chief Inspector Martin Beck created by Maj Sjowall and Per Wahloo during the 1960s and 1970s are indeed classic police fiction. They changed the genre. Whoever is writing crime fiction after these novels inspired by them in one way or another.’ Henning Mankell

    ‘If you haven’t read Sjowall/Wahloo, start now.’ Sunday Telegraph

    ‘Their mysteries don’t just read well; they reread even better. Witness, wife, petty cop or crook – they’re all real characters even if they get just a few sentences. The plots hold, because they’re ingenious but never inhuman.’ New York Times

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