- Nicola Barker

Darkmans

By Nicola Barker

From the award-winning author of ‘Clear ‘comes an epic novel of startling originality.

If History is just a sick joke which keeps on repeating itself, then who exactly might be telling it, and why? Could it be John Scogin, Edward IV’s infamous court jester, whose favourite pastime was to burn people alive – for a laugh? Or could it be Andrew Boarde, Henry VIII’s physician, who kindly wrote John Scogin’s biography? Or could it be a tiny Kurd called Gaffar whose days are blighted by an unspeakable terror of – uh – salad? Or a beautiful, bulimic harpy with ridiculously weak bones? Or a man who guards Beckley Woods with a Samurai sword and a pregnant terrier?

‘Darkmans’ is a very modern book, set in Ashford (a ridiculously modern town), about two very old-fashioned subjects: love and jealousy. It’s also a book about invasion, obsession, displacement and possession, about comedy, art, prescription drugs and chiropody. And the main character? The past, which creeps up on the present and whispers something quite dark – quite unspeakable – into its ear.

‘Darkmans’ is the third of Nicola Barker’s visionary narratives of the Thames Gateway. Following on from ‘Wide Open’ (winner Dublin IMPAC award 2000) and ‘Behindlings’ it confirms Nicola Barker as one of Britain’s most original and exciting literary talents.

Author: Nicola Barker
Format: Paperback
Release Date: 17 Sep 2007
Pages: 848
ISBN: 978-0-00-727017-0
Nicola Barker was born in Ely in 1966 and spent part of her childhood in South Africa. She lives and works in east London. She was the winner of the David Higham Prize for Fiction and joint winner of the Macmillan Silver Pen Award for Love Your Enemies, her first collection of stories (1993). Her first novel Reversed Forecast was published in 1994 and a short novel Small Holdings followed in 1995. A second collection of short stories Heading Inland, for which Nicola received an Arts Council Writers’ Award, and received the 1997 John Llewellyn Rhys/Mail on Sunday Prize. Her story ‘Symbiosis’ was filmed and broadcast on BBC2; another story, ‘Dual Balls’, was commissioned for broadcast on Channel 4 and shortlisted for a BAFTA Award. Her third novel Wide Open was published in 1998, and won the English-speaking world’s biggest literary award for a single work, the IMPAC Prize. In 2000 she published another short novel, Five Miles from Outer Hope. Her fifth novel, Behindlings, was published in 2002 and the following novel, Clear, was longlisted for the Booker Prize in 2004. Darkmans, was shortlisted for the Booker Prize 2007, the 2008 Royal Society of Literature Ondaatje Award and won the Hawthornden Prize for 2008. Most recently, Barker's work THE YIPS has been longlisted for The Man Booker Prize 2012. She was named as one of the 20 Best Young British Novelists by Granta in 2005. Her work has been translated into over a dozen languages.

'When a new novel by Nicola Barker arrives, there is a host of reasons to break into a smile. Chief among them is that she is one of the most exhilarating, audacious and, for want of a better word, ballsy writers of her generation. And, in a publishing terrain that often inhibits ambition and promotes homogeneity, there is nobody writing quite like her.' Alex Clark, Observer -

'Inventive, witty and well staged.' Hugo Barnacle, Sunday Times -

'There is a constant sense she might launch us into the minds of one of her psychotics and leave us there, and this gives her books a fearsome energy.' Independent -

'Rich, sensual, almost synaesthetic powers of description and association.' Times Literary Supplement -

'Each of her works brims with electricity, energy and invention, with rude humour, originality and contrariness. Who else but Barker would produce an 838-page epic with little describable plot, taking place over just a few days and set in - wait for it - Ashford? For that's what “Darkmans” is, and it is phenomenally good. Barker is a great, restless novelist, and “Darkmans” is a great restless novel. At the end of 838 blinding, High-octane pages, I was bereft that there weren't 838 more.' Patrick Ness, Guardian -

'An idiosyncratic, witty and utterly original vision of Albion.' Independent -